Reincken: Complete Keyboard Works, Vol. 3

Available in Audiophile 88kHz/24bit

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Album Name Dauer Format Auflösung Preis
Reincken: Complete Keyboard Works, Vol. 3 59:23 16,00 €
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# Track Title Dauer Format Auflösung Preis
1 Was kann uns kommen an fur Not 00:12:39 88/24 Album only
2 Suite No. 4 in C major: I. Allemande 00:02:48 88/24 Album only
3 Suite No. 4 in C major: II. Courante 00:01:45 88/24 Album only
4 Suite No. 4 in C major: III. Sarabande 00:03:43 88/24 Album only
5 Suite No. 4 in C major: IV. Gigue 00:02:51 88/24 Album only
6 Hollandische Nachtigahl 00:02:54 88/24 Album only
7 Hollandische Nachtigahl: Variations 00:02:19 88/24 Album only
8 Suite No. 2 in C major: I. Allemande 00:03:23 88/24 Album only
9 Suite No. 2 in C major: II. Courante 00:02:19 88/24 Album only
10 Suite No. 2 in C major: III. Sarabande 00:01:55 88/24 Album only
11 Suite No. 2 in C major: IV. Gigue 00:02:09 88/24 Album only
12 Suite No. 3 in C major: I. Allemande 00:02:48 88/24 Album only
13 Suite No. 3 in C major: II. Courante 00:02:06 88/24 Album only
14 Suite No. 3 in C major: III. Sarabande 00:03:12 88/24 Album only
15 Suite No. 3 in C major: IV. Gigue 00:03:18 88/24 Album only
16 Toccata in G Major 00:09:14 88/24 Album only

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Johann Adam Reincken (1643 - 1722):
Hollaendische Nachtigall; Suites No. 4, 2, 3; Toccata in G major 

Simone Stella, harpsichord & organ

Johann Adam Reincken was considered one of the highest authority on the organ at his time, as well as Dieterich Buxtehude (in 1701 a young Johann Sebastian Bach walked the 30 miles from Lunenburg to Hamburg to hear Reincken play the organ). This release features his complete music for keyboard instruments, which unsurprisingly dominates his total output. It contains Suites, Variations, Toccatas (here played on the harpsichord), two big organ chorale fantasias and a well known G minor fugue. The tonal range of the pieces has been compared to the original instruments played by Reincken in order to elucidate which instrument (harpsichord or organ) they were composed for. With its wealth of figures and complex harmonies, its stylistic variety and cleverly planned layout, it offers a great compendium of Hamburg’s organ art in the XVII century.

With his earlier recordings for OnClassical, Simone Stella established his reputation as one of the foremost interpreters of Baroque keyboard music, receiving 5 star reviews in the international press.

The recording is made in perfect two-microphone stereo with totally absence of mastering! A top recording that earned 5 “diapason” at the prestigious Omonymous magazine.

Recorded at: Pieve di Sant'Eusebio, Bassano del Grappa, Vicenza, 2012
Engineer: Alessandro Simonetto