Jasmine

Available in Audiophile 96kHz/24bit

Album kaufen
Album Name Dauer Format Auflösung Preis
Jasmine 01:02:55 27,25 €
Buy Individual Tracks
# Track Title Dauer Format Auflösung Preis
1 For All We Know 09:49 96/24 Album only
2 Where Can I Go Without You 09:25 96/24 Album only
3 No Moon At All 04:42 96/24 Album only
4 One Day I'll Fly Away 04:19 96/24 Album only
5 Intro - I'm Gonna Laugh You Right Out Of My Life 12:12 96/24 Album only
6 Body And Soul 11:13 96/24 Album only
7 Goodbye 08:04 96/24 Album only
8 Don't Ever Leave Me 03:11 96/24 Album only

Preis wie konfiguriert: 27,25 €

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(P) (C) 2010 ECM Records GmbH under exclusive license to Universal Music Classics, a Division of UMG Recordings, Inc.

Jarrett and Haden back together again! Thirty three years after the break-up of Keith Jarrett’s great ‘American quartet’ , the pianist and bassist Charlie Haden reunited for an album of standards, played with deep feeling. The programme on “Jasmine” includes such classic songs as “Body and Soul”, “For All We Know” , “Where Can I Go Without You”, “Don’t Ever Leave Me” and more. Intimate, spontaneous and warm, the album, recorded at Jarrett’s home, has affinities, in its unaffected directness, with Keith’s “The Melody At Night With You”. Jarrett and Haden play the music and nothing but the music – as only they can. As Keith Jarrett says in his liner notes: “This is spontaneous music made on the spot without any preparation save our dedication throughout our lives that we won’t accept a substitute... These are great love songs played by players who are trying, mostly, to keep the message intact.” 

Keith Jarrett (from the liner notes): “This recording was done in my small studio. So it is direct and straightforward. I chose to use the American Steinway that really isn't at all in the best of shape, yet I have this strange connection with it, and it is better for a kind of informality and slight funkiness that was going to work with the music. With a choice of songs this good, it was hard not to become engaged right away. We did not rehearse per se, but went over chords when necessary. ... Over close to three years we lived with these tapes, talked a lot about them, disputed over choices, but eventually I found Charlie to be the most remarkable and sensitive helper in getting this finally assembled. I wanted only the distilled essence of what we had, and it took some time to wean ourselves from going for hip solos or unevenly played tunes (even though they had wonderful things inside them). This is spontaneous music made on the spot without any preparation save our dedication throughout our lives that we won't accept a substitute. These are great love songs played by players who are trying, mostly, to keep the message intact. I hope you can hear it the way we did.”